"I've been painting. I've also got my own monkey. I've been working on this project for six years. Every morning I would wake up and say, 'How can I bring this story to the screen?'"
"She was an injured woman with an indestructible spirit.
People today talk about abuse. But it doesn't apply to that time or culture. Diego Rivera was a free spirit. She thought she could change him."
"Anyone else would have given up by now. But I've been obsessed with this project for eight years, and I know it will be made."
"At that age [of 13 or 14] I did not like her work. I found it ugly and grotesque. But something intrigued me, and the more I learned, the more I started to appreciate her work. There was a lot of passion and depth. Some people see only pain, but I also see irony and humor. I think what draws me to her is what Diego saw in her. She was a fighter. Many things could have diminished her spirit, like the accident or Diego's infidelities. But she wasn't crushed by anything."
"This movie should be played by a Mexican. In a way Frida was like Mexico--her body was broken, but she had a strong spirit."
"To me this is not just another movie. I want to tell this story about my country and my people. For a couple of decades, Mexico was an important center where great people from the arts and politics gravitated. I want to remind the world of that."
"Frankly, Miramax has too much money invested in it now to give up on it. I know this film will be made."
"It is necessary to thank Madonna because of her passion for Frida and her interest in the project that caught the attention of the public who did not know who was this painter before."
"In Mexico they protect the memory of Diego and Frida because figures are keys and I believe that Madonna could not make her project because the ones who had the rights did not want to have her."
About the Lopez project:
"I would be calmer with Madonna interpreting Frida, because although she is not Mexican, she has always been admiring Frida's work, not like other people who have only been interested when the painter is getting fashionable."
"Frida and I have the same facial structure which is the most important thing and the hardest thing to alter with prosthetic. We have the same mouth and same eyes. Of course Frida didn’t wear the makeup I wear and she had one eyebrow and her hair was different. She also has a different nose and her ears were bigger. We have done some prosthetics for the ears and the one eyebrow, but Miramax doesn’t want me to change the nose and they don’t want me to wear the mustache, though I want to wear the mustache. The similarities though are really scary."
"Frida lived at a revolutionary time in Mexico, when the artists spoke for the people. In a way, she represents what Mexico is -- she had a broken body but an indestructible soul. It's good to see that Mexicans are finally beginning to confront their government and starting to speak out to fix things instead of just complaining. This seems to be her personal policy, too.
Having Madonna involved has been really good for this project —she brought a lot of attention to this artist."
"Frida represents a time in Mexico when art and politics were merged together and people were not afraid to express themselves. This story can be incredibly inspiring."
Childhood in Mexico
Salma Hayek Jimenez was born on September 2, 1966 in Coatzacoalcos, Veracruz, Mexico.
Her father Sami Hayek Dominguez is of Libanese origin and her mother Diana has Spanish roots.
Salma had an unusual childhood as her father was a top executive with the state-owned oil company while her mother
was an opera singer. As a wealthy business man her father could affort to spoil his child.
Ski trips to Colorado and summer holidays on the Greek islands were common to Salma and she even had a private zoo with tigers in it.
Her grandmother used to shave her head and her eyebrows from time to time in the belief that they would grow more luxuriant afterwards.
When she was 12 her parents sent her to a Catholic boarding school in Lousiana. Salma didn't like the strict education of the nuns and
was feared for her tricks on them. For example one time she rewinded all the nun's clocks. For being a troublemaker Salma was expelled and came back to Mexico where she finished highschool.
Soon after that she was sent to her aunt that lived in Houston where she stayed until the age of 17.
On behalf of her parents Salma started studying International Relations at the College of Mexico City but
soon realized that her only dream was becoming an actress. She dropped out and started playing
small roles at the theater. Her first plays included the theatrical comedy "Aladdin and the marvelous lamp" and "La visitas tienen sueno" in 1990.
Salma's undeniable talent was discovered and she soon was cast in the telenovela "Nuevo Amanecer" after doing some commercials.
Another telenovela was supposed to make a star out of her. Salma played the lead role of Teresa in the telenovela of the same name and rose to
stardom in Mexico. In 1989 she won two TV Novela Awards. As a televison star Salma had gotten to the point she had everything she ever wanted. But that wasn't enough.
In 1991 Salma decided to move to Hollywood to start at the bottom again.
The Early Years
When Salma arrived in Los Angeles she had to face the bitter truth: she was only one
of thousands of aspiring actresses and she couldn't even speak English.
Eighteen months of hard work followed in which Salma took English lessons and worked with acting
teacher Stella Adler. Salma attended numerous auditions but couldn't land a role until
Allison Anders cast her in "Mi Vida Loca". After 4 months of auditioning Salma's strong will had convinced
Anders though she just gave her a small part. Salma qualified with this role for the Screen Actors Guild.
But her breakthrough should be way ahead. When Salma was guest in a Spanish language cable access talk show
director Robert Rodriguez saw her and wanted Salma to play alongside Antonio Banderas in his movie Desperado.
The sizzling role of Carolina was a major success and Rodriguez went on casting Salma in all of his movies.
In 1995 Salma returned to Mexico to star in the critically acclaimed movie "El Callejón de los
Milagros" (Midaq Alley) which got her a nomination for the Silver Ariel (Mexican Oscar). Salma soon turned out to be a workaholic as she
filmed up to four movies a year. Small parts in "Fair Game"(1995) and "Fled"(1996) didn't challenge her acting capabilities.
In 1996 though Salma made a huge impact in Rodriguez' "From Dusk Till Dawn" as she played Satanico Pandemonium, a seducting vampire queen.
Her infamous dance was an instant success - especially with the male audience. Salma couldn't get rid of the image of a sex symbol since that time though she
certainly has qualities other than her beauty. A romantic comedy with Matthew Perry followed in 1997 (Fools Rush In). Salma
proved her charms and talent as Isabel Fuentes. In the same year she played Esmeralda in TNT's adaptation of Victor Hugo's novel "The Hunchback".
She fell in love with her acting partner Edward Atterton at that time and stayed with with him until early 1999.
The recent years
Other movies like "54" and "The Faculty" followed. Salma also began producing movies with her
production company "Ventanarosa". In 1999 she made a deal with Sony to produce shows for
Columbia TriStar TV (in English) and Telemundo (in Spanish). Her independent production "The Velocity of Gary" was not
successful. "Wild Wild West" also had a high potential of success regarding the stars aboard (Will Smith, Kevin Kline, Kenneth Branagh) but the
critics and the audience disliked the movie and it "won" several Razzie Awards in 1999. The only highlight in the movie might have been Salma.
But Salma also starred in critically acclaimed movies like "No one writes to the colonel" which won the Latin American Cinema Award at the Sundance Film Festival.
"Dogma" in which Salma played a heavenly muse was controversial but successful.
Salma has become an institution of style in Hollywood. But while posing for fashion magazines in the most beautiful outfits she has also found the time to direct the media attention that is always with her to some issues that she deems important.
She is a spokeswoman for the Revlon initiative against breast cancer, she has taken part in the USO action to support peace and stability in Kosovo and by many of her Mexican countrymen she is considered a role-model.
Salma stole the show when she presented the Scientific and Technical Awards at the Oscars 2000 wearing a glamorous lavender gown by Eric Gaskins and pink-diamond earrings by Harry Winston.
In March she volunteered to be the first celebrity featured in a national public service ad campaign. The March of Dimes ad is the centerpiece of the largest and most ambitious birth defects prevention effort yet undertaken.
"I think it's important for women to take responsibility not only for the health of their children, but for their own health."
She also found the time to promote her native country and filmed several TV commercials for the tourist office in Veracruz.
2000 was also a great year for the movies:
Mike Figgis' experimental "Time Code" which was shot digitally with no
editing at all was applauded by critics and proved Salma's talent. Salma Hayek was also chosen by viewers as Favorite Supporting Actress Action for Wild Wild West at the Blockbuster Entertainment Awards.
In October her first Spanish movie "La Gran Vida" premiered in Spain and Steven Soderbergh's "Traffic", in which Salma had a brief cameo, won some of the most important awards, including 4 Oscars.
Salma kept herself busy filming up to 4 movies a year.
Last October she returned to Mexico to film "In the time of the Butterflies", which is based on the book by Julia Alvarez. It tells the true story of the 4 Mirabal sisters that fought the dictatorship in the Dominican republic.
The movie is produced by Showtime TV and is tentatively scheduled for a release in October.
Salma also starred in the comedy "Chain of Fools" starring Steve Zahn, Jeff Goldblum and Lara Flynn Boyle. The movie was recently released in Sweden, a US release is not known yet.
In February 2001 Salma teamed up with "Time Code" director Mike Figgis again to star in his latest project "Nitevision" (also known as Hotel). The movie will premiere at this year's Venice Film Festival in September and is likely to attract critic's attention.
Right now Salma is on location in Mexico to fulfill her personal dream. She portrays the life of her idol, Mexican painter Frida Kahlo. It took Salma 6 years to convince production companies to invest in this project.
The movie is directed by Julie Taymor and has an impressive cast with Alfred Molina, Geoffrey Rush, Edward Norton, Ashley Judd and Antonio Banderas.
As soon as filming wraps Salma will travel to another movie set in Mexico. Robert Rodriguez is shooting the third part of his 'El Mariachi' trilogy called "Once upon a time in Mexico". It reunites the team of 1995's "Desperado": Antonio Banderas as the mariachi and Salma Hayek as Carolina.
At the end of the year Salma is going to film another movie based on a best-selling novel "Arrancáme la Vida".
Salma mentioned in an interview that apart from being a successful actress and producer she will also take on directing. The recent success of Edward Norton's "Keeping the faith" makes this even more likely.
For up-to-date details on movie projects and release dates check out our Upcoming Movies section.
© Biography by HayekHeaven.net
Arráncame la vida (2001)
Once upon a time in Mexico (2001)
Frida Kahlo (2001)
Nitevison (Hotel) (2001)
In the Time of the Butterflies (2001)
La Gran Vida (2000)
Chain of Fools (2000)
Time Code (2000)
Wild Wild West (1999)
No one writes to the colonel (1999)
The Velocity of Gary (1998)
The Faculty (1998)
Breaking Up (1997)
The Hunchback (1997)
Fools Rush In (1997)
From Dusk Till Dawn (1996)
Midaq Alley (1995)
Frida Kahlo & Contemporary Thoughts
Eros & Tanatos: Dreams of Frida Kahlo
Las Mujeres: Frida Kahlo